Tuesday, October 20, 2015

Mini 5th Doctor costume tutorial

5th and 10th Doctors

For 2014's Doctor Who Day at the British Emporium in Grapevine, TX, I had a last-minute idea to make a miniature 5th Doctor costume for my one-year-old. This whole thing was put together in about a week from materials I already had around the house. This costume won Best Child Costume at the event!

(I was also putting together a mini Pikachu costume for Halloween, which is shown mixed in with the supplies at left.)


Materials used:
  • a plain white onesie
  • Drapery sample in off white
  • cream colored fleece
  • scraps of fleece in green, white and red
  • ribbon in black, white, red, and gold
  • elastic
  • red fabric paint
  • red bias tape
  • Fabric-Tac glue
Shirt and Celery

For the shirt, I started with a plain white onesie. I cut out  a red chevron shape from fleece and glued pieces of white and narrow black ribbon on top using the Fabric-Tac glue. Once this was dry, I glued the whole chevron to the onesie.

While this was drying, I made the celery stalk from tiny bits of green fleece.  I used a variegated darker green for the leaves.



I cut out small rectangles of white fleece to make the shirt collar tabs, and I painted a question mark on each one using the fabric paint. When these were dry, I glued them to the onesie using the Fabric-Tac.

Pants
I used a free, simple pants pattern, found here. I cut the pieces out of cream colored fleece because I already had some in my stash.  I also thought that fleece would be more comfortable than a woven fabric because it stretches.  Before I sewed the pants pieces together, I used a zigzag stitch to sew down pieces of ribbon, alternating red and gold, to imitate the stripes on the 5th Doctor's pants.

Jacket
The jacket was by far the most difficult part of the costume. I started with an off-white drapery sample piece. It wasn't ideal fabric, but it was the right color, and it was free. It also included the lining fabric, which I cut out at the same time as the basic jacket pieces.  This added a bit more structure to the finished jacket. There was just barely enough fabric to make a jacket for a 1-year old, and the sleeves were a bit too short. I used this pattern for the basic jacket front, back, and sleeves.
Drapery samples
Since I was putting this together in a hurry, I fudged the collar and lapels.  I made a pattern (shown below in red fabric), and I cut it out of the drapery sample and fused lightweight interfacing to the back. The seam is hidden underneath the folded-over collar, and the raw edge in the front is covered by the bias tape.  The collar doesn't lie exactly flat along the back of the neck, but for a one-off costume, it does the job.

Creating fake lapels on the jacket
For the trim, I used Fabric-Tac glue to attach red bias tape along all the front edges of the jacket. Sewing would have looked more finished, but gluing went a lot faster.

Finished costume
 
Ready to go fight the Daleks!

Belle Gold Ballgown - Materials and Plans

I've made Belle's ballgown before, but since I'm remaking it, I decided to change it up.  I did tons of research on the theme park dresses, and dresses that other people have made, and I decided I would have a few changes to mine since version 1.

I got out my sketchbook and started to take some notes about what I'd like to do differently.



First, I could never hem the ruched sections properly and they dragged on the ground, collecting dirt and debris (from outdoor photoshoots). I wanted to take a note from the theme park dresses and make an underlayer that would have a smooth hem, and put the gathered sections on top of that. Since much of the underskirt would never be seen, I planned to make most of it out of mockup fabric and only do the bottom 12" or so (the visible part) out of satin.

Second, I wanted this dress to be two parts - a bodice and a skirt. The original dress was so heavy being all one piece, and washing the bodice meant the whole thing had to go in the tub. I wanted to be able to wash the pieces separately.

Third, the original skirt didn't have as much volume as I wanted. Yes, it was big, but the gathered sections didn't have the fullness that I had envisioned.  I decided to break with tradition and use (gasp!) a different skirt pattern than my standby, McCalls 4090.  Simplicity put out a pattern for the live action Cinderella movie (Simplicity 1026/S0229) and the lines looked perfect - a bodice with the pointed front that was off the shoulders and a huge skirt, both separate pieces.

 
I couldn't find any fabric I liked locally (sadly, the gold sparkle satin I used before has been discontinued from JoAnns, and Golden D'or didn't have anything that I really liked either). I ordered swatches from Fabric.com and Onlinefabricstore.net and found some nice shades of crepe back satin. Some was far too yellow, but there was a nice range of gold tones.


I also had some fabrics left over from my first gown. I had a few yards of a shimmering gold 2-way stretch fabric, and a bunch of a sheer sparkle fabric from JoAnns.


I liked the two-tone effect of Belle's dress in the film, so I selected a dark gold for the bodice and skirt swags, and a lighter gold for the skirt and shoulders.  The deadline is Dec. 5, but I'll be wearing this in a holiday parade with my red fur-trimmed cloak over it.  That means I only really need to have the skirt finished, and I can fudge the bodice for now. I can also get away with things not being perfect, since the dress will be seen from a distance.

Link Costume (Legend of Zelda) - Step by Step (2006)

By popular request, I am reposting my old Link (Legend of Zelda) costume tutorial/guide. This is pretty much unchanged since it's old posting, so there may be outdated info.

Link is a costume that you can put together really quickly or add a lot of detail to - there are many ways to do this costume depending on your skill level, and you'll still look like Link when you're done. Link is instantly recognizable and still popular 20 years after his video game debut. Legend of Zelda: Twilight Princess has been highly anticipated since its first E3 trailer - the guy is a beloved hero for the ages. This is a costume that I've seen an equal number of guys and gals attempt - you don't have to be male to dress as Link. In fact, the Japanese commercial for Link to the Past featured a female dressed as Link for the dance sequence. This is one of those characters who can be played by either gender without people giving you evil looks (as opposed to a guy dressing as Zelda). 

I originally didn't think this was a "great cosplay" since the costume itself is very basic, but once I started working on the accessories and props, I started to like it more and more. This isn't the most complex version of Link I've seen, but it's not the simplest either. I'm writing this journal so you'll be able to use some of my techniques if you ever plan to make a Link costume of your own. Some ideas for materials came from the good folks in the Zelda Cosplayers thread on Cosplay.com.


 Green Tunic
I got about a yard and a half of cheap fabric to make a sample with. I folded the fabric in half and laid an oversized T-shirt across the fabric so only half of it was on the fold. I used a permanent marker to trace where the neck, shoulders, and bottom of the shirt were on the fabric. The sleeves will be a separate piece, so I didn't trace those.

After tracing and cutting out the front and back of the shirt (the front has a "V" shape cut into the front), I sewed the sides and shoulders together. I made a few adjustments to the T-shirt - I made it longer, and flared the sides out slightly below the waist. At this point, the garment looks like a long, shapeless vest. Adding the belt helps give the tunic most of its shape.

If you want to make a really fancy Link tunic, you can make the basic tunic two separate pieces - the shirt part for the top, and a gathered "skirt" for the base. The skirt part should be a very wide strip of fabric (at least twice the width of your waist), which you'll gather and sew to the top. This will give you a more flared-out base, but you'd run the risk of making it look too much like a dress. The simplest way to make this is to do a one piece tunic. 
 
The collar was a little more difficult to make than the basic tunic. Using the "V" cutout in the front of the shirt, I drew the collar shape on another piece of scrap fabric and cut it out (1). Then I cut out another one, mirror flipped (2). Finally, I put these next to the "V" shape and cut another piece of fabric for the back of the collar that was the remaining space between the two collar front pieces (3). I sewed these three pieces together to make one big collar piece, then I sewed that to the "V" of the main shirt. 



 For the sleeves, I traced a regular shirt sleeve (seam-ripped from the original shirt I modified to make Leia's shirt) and traced the top of the sleeve. Then I made the sides wider and cut it out. I sewed it closed first (so it formed a short tube), then sewed this to the tunic. I added a belt I got for $1 at a thrift shop, and the tunic looked pretty good.
Mockup with one sleeve complete

I purchased "real" fabric at Jo-Anns - just plain green cotton fabric that was about $2.99 per yard. Add a 40% coupon to that, and I paid less than $6 for three yards of fabric, which I'm sure will be more than enough.

The cotton fabric is easy to cut and sew. The edges will need to be finished since this fabric seems to fray a little at the edges.


Tunic without sleeves

Later, I decided to make a red Goron Tunic to increase my costume wardrobe. I didn't make this tunic all one piece, however - the top part and the "skirt" are separate. The "skirt" section is really just a long strip of fabric, gathered slightly, and sewn to the "shirt". the collar and sleeves were made the same way as the green tunic. For a little extra detail, I added some brown bias tape to the edges of the sleeves and the base of the tunic. I considered adding some to the collar, but it looked too bulky.
Finally, I went back and added a set of belt loops to both tunics. That was the last detail I needed. I made four belt loops per tunic (I couldn't find an official number for Link's outfit - all the reference pictures had a different number). For the Goron Tunic, the belt loops insure that the belt doesn't slip away from the seam line. The belt loops also help the tunics look less like short dresses.

White shirt & leggings


I purchased a white turtleneck at the Goodwill and cut a V shape at the front in the neck. I turned the shirt and collar inside-out and sewed along the cut edges. When I flipped it back, I had a nice finished edge. Using an X-acto knife, I punched several small holes through the collar on both sides. I strung a new white shoelace through the holes in a diagonal pattern to replicate Link's shirt. The ends of the shoelace were tucked inside the collar and knotted (so they wouldn't come loose), and the long ends were cut off.
The leggings also came from Goodwill. They were just regular women's stretch pants.
The turtleneck and leggings looked fine for the part, the cotton material they were made from got hot quickly. I found myself sweating a lot after a photoshoot, and the cotton fabric (especially under the boots and gauntlets) would become soaking wet. I later ordered a white spandex top and leggings from Dance4less.com.

Green Cap
First, I used a tape measure to determine the size of my head where the cap should go. I cut two long triangles out of green fabric - the bottom of each triangle was half of the measurement I took. I sewed the sides together and the cap was done. If you will be wearing a wig with your Link costume, make sure that you measure your head size with the wig on - otherwise, the cap will not fit.
I used two hair clips to hold the cap on my head when I wore this costume. I fastened the clips right behind my ears.

Brown Boots
Rather than try to find actual boots somewhere, I decided to make my own. I started off by purchasing a pair of cheap canvas shoes from Kmart, which will be used as the base. Then, I used some of the darker brown faux leather (from Ganondorf's costume) and cut out basic boot shapes a bit larger than I needed (after measuring around my legs first). Then I sewed the sides together. This procedure is almost exactly what I did for Raichu's feet, except that the Raichu costume had two pieces for boots - the shoe and the legwarmer. This boot is all one piece.


I took the canvas shoes and glued a rounded piece of foam to the top of the shoe that covers the toes. This will give the finished product a more boot-like shape and add some lightweight bulk to the shoes. Since I made the leather casing larger than necessary, there are no problems fitting the leather around the modified shoes.

Next, I hot-glued the boot fabric to the shoes. I then took a rectangular piece of fabric and glued this, wrong side up, to the tops of the boots. Then I folded these over (so the wrong side was up) to make the flaps over the top of the boots. The finished boots aren't spectacular, but they're certainly cheaper than real boots. They're also easy to walk in.

I wanted to add the buckles to the fronts of the boots, so I found two small gold decorative buckles at Hobby Lobby. I cut two thin strips of a lighter brown fabric and made two simple "belts" for the boot tops. I secured these to the boots by sewing "belt loops" with thread at the sides and back of the boots. I think it adds a nice amount of detail to an otherwise plain accessory.


 Gauntlets (Gloves)
The original gloves for this costume were made several hours before Comic-con, so they didn't turn out very well. I had made them out of the same fabric used for the boots - a thick, fabric-backed vinyl. This was hot and not easily sewn. The gloves were fairly shapeless and the seams began to come apart at the snipped fingers. I decided to redo them for the Wii launch event. 

I used a pair of Army work gloves for the pattern, carefully removing the stitching and laying the pieces flat. Any pair of old gloves will work, although you will have to make the tops longer (so they reach halfway up your arms). I reconstructed the glove with the new, brown pieces. It took a little work to get the gloves to fit as the originals were too large for me. It's best to use a well-fitting glove as your template. 

The original gloves were made of a thick vinyl fabric that didn't breathe or move well. The "fingers" split open at the sides and folded in on themselves, and the arm shape kept bending back along the seam. I redid the gloves out of a faux suede fabric - found at Jo-Ann Fabrics as part of their Halloween fabric collection. The fabric I purchased came in several shades of natural browns and had "fringe" at the bottom - I'm supposing this was designed for a Native American costume. 

Sewing some parts of these gloves was very difficult as the seams are very small. Some of the stitching needs to be done by hand (around the pinky finger, for instance), and it took some time to get these right. Once I sewed the pieces together, I then fit the gloves more closely to my own hands. This was rather time-consuming, as I had to keep resewing the seams a little further in each time until they fit without being too snug. Once the gloves fit, I cut several "belt loops" in the gloves around 3" and 5.5" from the arm edge. Then I cut a few strips of the scabbard belt fabric and wove them through the loops to replicate the bands on Link's gauntlets. 

The original glove is on the left, and the finished new glove on the right. Doesn't the new version look better? It's also far more comfortable to wear. 


Elf Ears
The original ears I used came from a costume shop. They're a Woochie appliance called "Small Space Ear Tips", and attach easily with Spirit Gum. However, these ears are a little small for Link's ears, so I ordered a larger set. 

Cosworx used to carry a set of plastic elf ears that were worn like a headband. These have since been discontinued, but I found a great site online for all your elven ear needs. Aradanic Costumes carries seven different styles of elven ear prosthetics, including sea elf ears, hobbit ears, and Lodoss elf ears. It's a good selection for whichever version of Link you're aiming for. I picked up the set of Small Anime Ears and they look much better. 

The Ocarina of Time Link wears a set of small, blue hoop earrings. I originally used a set of very tiny hoops that I had lying around in my jewelry box, but they had several problems. Aside from being too small, they weren't true hoops (they were round in the front, but the entire back was open), and they shifted to strange angles sometimes. I acquired a second, better set of earrings from Wal-Mart's jewelry section. I chose a set of silver closed hoops (about $2.97), which I then painted with blue automotive spray paint. Now the earrings, like the ears, are much more visible.

Belt/Scabbard
This was originally just going to be a second belt, but I decided to make this more detailed.

I used a measuring tape to get an approximation of the length for the belt. Luckily, I just barely had enough of the light brown leather-like fabric to make this one piece. I sewed up the sides and had a long, brown tube. I used a buckle from a belt I found at a thrift shop - the buckle originally faced the other way, but I used wire cutters to make some modifications. I cut the center prong of the belt in half. This made the small piece in the middle come off. I then used the remains of the prong as the middle part because it faces the other direction. This is confusing to explain, so please refer to the picture below:



The buckle on the front is purely decorative - the belt is big enough to easily slide over my head and shoulder without needing to be fastened.

I tried to fill this tube with foam, but the backing of the leather-like fabric wouldn't allow the foam to slide through. I sewed several rows of stitching perpendicular to the length of the belt to make the sections and left it at that.

The scabbard was more difficult. I had originally tried to curve the foamcore (as with the shield, above), but it curved the wrong direction. I traced the finished Master Sword on the foamcore and cut the two scabbard pieces larger than the blade, but I couldn't make the pieces join up - the curve was working against me. I wet the entire thing down with water again and managed to flatten it out. From there, I worked the correct curve into the foamcore manually using a wet washcloth and the edge of the bathtub. This took some time and patience. 

Once I finally achieved the curve I wanted, I used hot glue to join the sides of the scabbard. I painted the designs with yellow paint, and added FunFoam pieces to the top and bottom (which helped cover up the messy-looking bottom of the scabbard). I wound strips of unbleached muslin around the top and bottom of the foamcore tube and hot glued them in place. I then cut two thin strips of the leather fabric and hot glued these to the belt to attach the scabbard. The scabbard is probably removable, but it holds in place well. I will need to reglue the pieces that attach the scabbard to the belt - it seems that these pieces are under the most stress. 

Finally, I hot glued one of Ganondorf's spare gold studs to the front. Later, I added some more yellow designs to the scabbard and filled in the basic designs I had created earlier.



 Belt Pouch
This accessory isn't part of the Link character design (although you can see something like this on the subscreens to represent the size of your wallet and bomb bag), but it will be a necessity for carrying around things like ID, keys, and Rupees (er, spending money). I basically cut a large circle out of the faux leather fabric, cut some small slits perpendicular to the edge (about an inch or so from the cut edge), and threaded a piece of leather cord through the slits to make a simple drawstring pouch. I knotted the ends of the cord together and slipped the belt through. It worked great, although I might redo this out of the fabric I will remake the gloves out of.

Hylian Shield
Following some advice I found on Cosplay.com, I purchased two pieces of foamcore for the base of the shield. I tried leaving it outside for a few days to get a curved surface, but it didn't work. However, wetting one side of the foamcore with water gave the surface a nice rounded curve. I plan to make the shield 24.5" tall and 20" wide. The raised silver edging is made from the second piece of foamcore. The Triforce, eagle, and silver designs are cut out of FunFoam sheets.

Note: This pattern is scaled to me. If you're much larger or smaller than I am, you will need to adjust the shield size and designs accordingly.

I made a pattern out of newspaper for the shield outline and cut it out with a snap-off knife. I then painted one side with thinned acrylic blue paint. Only one problem - painting the front of the curved foamcore made the shield flatten out. After re-wetting the back with water, I got some (but not all) of the original curve back. It will have to do.




I traced the shield outline on the second piece of foamcore, but I didn't cut it out right away. I made the inner shield pattern again out of newspaper. First I cut out the inside edge, and then I cut the outside edge and colored the whole thing with silver Fusion spray paint. This piece kept most of its original curve.

Please note that I don't have a pattern for this to download. I eyeballed the design myself and cut it from a piece of newspaper folded in half (so it would be symmetrical). 



 The two shield pieces were glued together with 7800 adhesive, clamped down with medium-sized binder clips. I placed cardboard pieces on either side of the foamcore to keep the clips from "biting" the shield. I left this to sit overnight. The next morning, the shield was firmly glued together. However, the clips had left indentations in the outside edge, and some of the silver paint came off when I removed the cardboard pieces. I also noticed that the edges of the silver and blue pieces didn't match up exactly because they had slightly different curves. I used the snap-off knife to cut off the excess blue that stuck out under the silver. Then I took the whole shield outside, masked off the blue section, and repainted the silver. I also painted the edges and back of the shield silver to match the front. I still had a little overspray, so I had to retouch the blue sections anyway.


Once the spray was dry, I began work on the back straps. I took two pieces of nylon strap material and hot-glued it to the back of the shield - one piece to go around my arm, and the other to be held in my hand. The two pieces added stability - I didn't want my shield flopping around. I hot-glued two of the cardboard pieces (used in the gluing above) on the ends of each strap to hold it down better. I specifically designed the shield supports to carry the shield with my right arm only. Link is a lefty, after all (at least, Ocarina of Time Link is a lefty). This means that the hand grip is smaller than the arm loop.

Then I had to make the designs on the shield. I cut the Triforce pieces, the eagle shapes, and the silver decorations out of FunFoam sheets and attached them to the blue shield with hot glue. The "rivets" along the silver edge were made with metallic silver fabric paint. I then coated the whole thing with spray polystyrene to keep it waterproof and to give it a nice even finish. 

The Hylian Shield is now complete. 


 Master Sword
The original Master Sword that Concolor made wound up not holding up over time. He used upholstery foam with liquid latex - but unfortunately the latex broke down after a few years. The paint became sticky and I had to throw it out.

Unfortunately, I don't have a replacement technique for the sword at this time.

Extra Props


Bottled Potions: Link never has an easy time finding empty bottles, does he? Why should my quest for cosplay accessories be any easier? I was basically looking for a simple clear bottle with a cork stopper. I looked at Michaels and Hobby Lobby and didn't find anything large enough - they only had tiny decorative bottles or things that looked like Love Potion bottles. After a few weeks of looking at the local thrift stores, I found not one, but two identical glass bottles with large cork stoppers. Perfect! 

Now what kind of potion-like beverage would instantly give me rejuvenating energy? There's always red or blue Gatorade, or maybe... Mountain Dew! That marvelous elixir beloved of geeks everywhere, it conveniently comes in both red and green versions.

Navi: Concolor and I rigged this one up together. The base of the body is a cheap dollar-store ping pong ball. We tried to get a quantity of ping pong balls from a sporting goods store, but these all had company logos on one side. The only generic ones we found came from the dollar store. The wing frames were made of braided floral wire - three strands of thin silver wire were braided together to create a strong, flexible frame for the four fairy wings. The wing frames are covered with a thin chiffon fabric that is hot-glued in place. I decorated these with blue sparkly glitter glue to mimic the veins in the wings. The glow is provided by a blue LED that is wired to a battery located in the scabbard belt. The surface of the LED bulb was sanded slightly with the Dremel to diffuse the light (originally, the light came straight out as a dot, not a full glow). Navi is attached to the belt at one point, which makes her almost look to be floating above my shoulder rather than firmly attached to me.

Navi was definitely a two-person project - and I can't explain the ins and outs of rigging up LED lights, sorry. If you want a non-glowing Navi, you can always use a painted styrofoam ball for the body, as it's easy to stick the wires into and still gives you the right look. 

 Tips for making your Link costume unique


Link is instantly recognizable to most con-goers (and even many people in the real world), but that doesn't mean you have to do his costume as simply as possible! There will usually be more than one Link at any anime/comic convention (sometimes there are dozens of Links), and you probably want to stand out from the rest, right? Depending on which game version of Link you're cosplaying, he has had a variety of different weapons, items, armour, and boots along the way. Why not make a prop, weapon, costume, or accessory that you've never seen before on a cosplayer? Here are some suggestions. 

The most famous version of Link (at the moment) is Ocarina of Time Adult Link (which is the version featured in this tutorial). This specific form of the character has also appeared in Super Smash Bros., Super Smash Bros. Melee, and Soul Caliber 2. The second most popular form of Link is his new Twilight Princess style that includes a more detailed costume and chainmail underneath his tunic. This version also appears in the upcoming Super Smash Bros. Brawl. Some Link cosplayers carry representations of the Hylian Shield and the Master Sword. Most Links don't carry any props at all, and some just carry a generic prop sword rather than something that looks like the Master Sword. The shield (if they have one) is usually too small for the person carrying it. 

Most Link cosplayers have the standard green (Kokiri) tunic. If you want to stand out, the easiest thing is to make a different colored tunic (red, blue, black, purple, light purple). Link's costumes have slight variations by game. Some versions of Link wear just the green tunic, others have a long-sleeved brown, white, or light green shirt under the tunic, some wear pants/leggings and others have bare legs (I recommend wearing shorts under your tunic if your costume doesn't have pants - preferably something that matches your tunic color). Some tunic designs have sleeves and others are sleeveless. Some Links wear gloves/gauntlets and others don't. The belt and cap designs vary between games as well. If you want to challenge yourself with the clothing aspect of the costume, Twilight Princess Link appears to have chainmail between his tunic and white shirt.

The best advice I can offer you is to choose one version of Link and stick with it. You'll have a much better costume if you decide on one specific incarnation of the character and match it as closely as possible. Be consistent with your sword and shield designs, as well as any items you carry. For example, Windwaker Link doesn't carry the same shield as Ocarina of Time Link. Your costume will be more polished if you keep to the same theme with every part of your costume. The average person might not notice or care, but the hardcore fans of the series will notice the difference, and it will make your finished costume that much better. 

Every game features very different standard shield designs (check the official artwork for the 8-bit era games since the designs aren't clearly visible in-game), and some games feature extra shields like the Mirror and wooden versions. Sometimes there are special boots like the Iron Boots and Hover Boots. There is always a variety of weapons in any Zelda game. Link has been known to wield boomerangs, hookshots, clawshots, grappling hooks, bow and arrows, slingshots, bombs, giant hammers, Bombchus, Deku Leaves, magical Staves/Canes, Fire and Ice Rods, and other assorted weaponry. Although many games (Link to the Past, Ocarina of Time, Wind Waker, Twilight Princess) have featured the Master Sword, there are also blades like the Kokiri Sword, the Biggoron Sword, the Giant's Knife, and other unnamed swords from earlier games in the series - not to mention all the swords Link can have in Soul Caliber II. Windwaker Link can even take his enemies' swords!

And then there are accessories! What about something from the Happy Mask Shop like the Keaton Mask or the Bunny Hood? Do you dare make the evil Majora's Mask? You could add a Goron Bracelet or a set of Silver Gauntlets to your costume to show how strong you are.
 f you're cosplaying OoT Link, why not carry an Ocarina? I ordered my ocarina about seven years ago (coincidence?) from Songbird Ocarinas, a great company that makes real instruments modeled after those in Ocarina of Time. It looks like they're styled a little differently since I got mine, but they still look great. These are made of clay and have a beautiful tone.
 
And then there are the items. Want a bottled potion? Check craft stores and secondhand shops for clear, medium-sized corked bottles, add water and food coloring (red, green, or blue). You could carry around a plush chicken and pretend to stab it with your sword. You could make your own fairy from a large pom-pom and felt for wings. There are items specific to certain games, like the Wind Waker (baton). You could make dungeon-exploring items like maps, a compass, silver keys, and a Boss Key. Remember all the items you had to retrieve in order to progress on your quests? Spiritual Stones, Pendants, Medallions, even Gold Skulltulas would work with a Link costume. What about a Piece of Heart, or the Triforce itself?


If you're really feeling ambitious, you could make one of the alternate forms of Link from Majora's Mask like Deku Sprout, Zora, or Fierce Diety Link. Or team up with three friends and go as the Four Swords Links - one each in red, blue, purple, and green. You can keep the costumes and props simple as long as they are the same (although in different colors) for each person in your group. 

Just because you're doing a common character doesn't mean your costume has to be boring! With some unique accessories, any Link costume can stand out from the crowd. Good luck!
 






Belle blue dress - getting it wearable

I don't have time to get the costume completely finished the way I want right now, because I also have a deadline to get Belle's ballgown wearable in time for a holiday parade. Instead of spending time to make the blouse from scratch, I decided to modify something I already had in my closet.

Years ago, I made a renfest costume using M4091 (chemise), M4090 (skirt) and M4696 (bodice). In 2014, I purchased another yard of the red fabric and recut the costume into a new renfest dress, wearing it with the blouse from Lady White Mage. The original chemise was just sitting in my closet, ready to be repurposed into something new.

 
First off, the chemise was floor length.  I didn't want to cut it shorter in case I ever needed the extra length, so I hemmed it down to about knee length.  When I wore the original costume, the wrist drawstrings were always coming undone (and it's almost impossible to retie them yourself while you're wearing the costume).  I made cuffs for the sleeves instead using plain white cotton and lightweight interfacing. Once I sewed the cuffs on, I removed the strings (which had helped gather the bottom edges while pinning them in place). The new result is much cleaner.



For the apron, I used a heavier weight white bedsheet (that had a slight tone-on-tone floral pattern). I cut out two of the side skirt triangle shapes out of white and sewed them together.  I made a long waistband from the same fabric (in hindsight, I should have interfaced it also), which I handsewed to the top of the apron triangle shape.  It's not perfect, but it will work.

In the photo at the right, you can see the finished apron.  The chemise was unmodified at this point.  This photo was taken around midnight, so I was pretty exhausted and didn't get the dress smoothed down perfectly before the picture was taken.

For this initial wearing, I'm going to leave the bottom skirt edges unhemmed, although they are serged.

Next: Hairbow and First Photoshoot

Wednesday, October 7, 2015

Belle Blue Dress - Fabric, Bodice, Skirt

The Hunt for Fabric

I assumed I’d be able to walk right into JoAnn Fabrics and buy the same turquoise blue cotton I used last time.  Alas, the only solid cottons they had in blue were dark navy (almost black), an aqua “Elsa” blue, and a light purplish “Ouran Host Club” blue. I thought I’d have better luck at Golden D’or, but they had the same colors of blue and nothing else. I was hesitant to order fabric online for something that was supposed to be a “simple” costume.
I had a lucky find at the local Goodwill. In the pile of bed sheets, I found a lovely blue cotton sheet in a good shade of medium blue. It had a looser weave and didn’t look like a “luxury cotton”, which was perfect for a peasant dress. It’s very thin, so the bodice needed interfacing and the skirt needed a second layer. Of course, I’ll never be able to match this fabric again, so I found myself treating this $2.99 bedsheet like it was rare, expensive fabric.
Drafting the Bodice
I confess – I hate making bodices. I didn’t know the first thing about fitting or making mockups. I would find a pattern that was close to my size (although I usually cut it out too small), and when there were gaps, I’d just put more darts in to kind of smooth them out. This created costumes that looked pretty good, but were made very sloppily. (And let’s not even speak of my very first sewn costume, a classic Princess Peach dress that was fit so badly that the diagonal back seam couldn’t even have a zipper put in – it was fastened with Velcro because I didn’t have any other way of making it work!)
I realized that one of my biggest problems was that I had no starting point aside from my own body, and it’s really hard to figure things out when you can only really see the front and maybe the sides of a garment.  I did some research and purchased a dress form close to my size.  I still need to pad out the bottom (I’m close to a 14 at the top, and maybe a 16 or 18 hips), but it’s a great starting point for figuring out the dreaded bodice. Using some bedsheets left over from my peasant Cinderella dress, I traced the princess seams on the dress form to draft out a basic pattern with 7 pieces (front, 2 side fronts, 2 side backs, 2 backs).  Seeing these pieces helped me figure out why my previous costumes always went diagonal on the back edge – I hadn’t put enough curve into the bottom of the back pieces and I always came up short at the bottom edge.
I took these first pieces and traced them on a new piece of bedsheet fabric, adding seam allowances.
I sewed up this first mockup and tried it on.  I don’t know why it took me so long to realize this, but fitting a bodice is so much easier if you baste in a zipper so you can actually try things on. In previous costumes, I’d enlisted my husband’s help to get the back seam right (which never seemed to be straight up and down). He would put pins along the back edge where the two sides met, and then I’d try to figure out how to put a zipper in a wonky back seam.  With a zipper installed, I immediately could see where I needed some adjustments, which I marked right on the mockup with a Sharpie. Apparently I have a higher natural waist than my dress form, so it’s no wonder I always had so many issues fitting commercial patterns around the waist. After a few adjustments, I began to cut out the blue fabric for the bodice.
As the blue fabric was so thin, I interfaced the fabric and lined it with another layer of the same blue fabric. I left the side seams open so I could make some additional fitting adjustments. The bodice has much more structure and smoothness with the interfacing.
Skirt
For the skirt, I went back to my old standby of McCalls 4090, but reduced the fullness by eliminating two of the side pieces and cutting the remaining two symmetrically.  I also made the skirt about a foot shorter than the pattern calls for. The blue fabric was a bit see-through, so I made a second skirt out of a heavier white cotton bedsheet.  I also got to try out my new serger for the long skirt seams and along the top and bottom edges of the skirt to prevent fraying. I gathered both skirts slightly and sewed them to the bottom of the bodice. 

At this point, I need to attach the shoulders, do some fitting on the bodice sides, and hem both skirts. Then I can move on to the apron and blouse.